by whirr, Fiddler, bill porter, and eexee
I created my part to this a month or more ago and subsequently say that bill had added his part next. At the time I thought, "surely Bill is over his shit boy fetish and will go for something original." No such luck. Bill, I like your piece. The transition, palette and composition are good. Just lose the damn icon, will you?
Fiddler at November 24, 2005 12:08 PM
"Say" should read "saw. Sorry.
Fiddler at November 24, 2005 12:12 PM
I quite like this one. Good job everyone.
I enjoy the way the curve of the boy's back echoes the curves of the radiation warning symbol in the first panel.
I'm happy to see Bill back with his graphic. Bill's pieces are consistently excellent, and he gives people something else to complain about besides bad seams. Yippee.
doctormatt at November 24, 2005 2:21 PM
WHY is poopoo boy STILL doing his stinky thing??? You may have a bathroom break!
Very Strict Headmistress at November 24, 2005 5:04 PM
i like this one too, overall, not really sure why... and i'm with doctormatt - i like bill's poopy little icon. maybe not the signature i'd pick for myself, but at least he's dependable - regular, even - in there every time, but always imaginatively integrated into each piece.
unapologetic at November 24, 2005 9:40 PM
Why have I never seen a Very Strict Corpsepanel?
Jessica at November 25, 2005 1:02 AM
I'm not sure which side of the diarrhoea boy debate I am on, but I will say this.
The minute I saw that icon, I shouted "Yes!!! Bill Porter is back!". I even did a little dance.
Welcome back, Bill. I thought you'd gone for good.
Patrick Beverley at November 25, 2005 1:54 PM
Yeah... I could've done better. I like the last panel. DB will never die. Even if you can't see him he will be there.
bill porter at November 25, 2005 3:31 PM
"Even if you can't see him he will be there."
I like this thought.
Miroje at November 25, 2005 5:23 PM
DB is like Santa!
Spud Boy! at November 26, 2005 6:30 PM
An Exquisite Corpse is a collaborative experiment in the creation of visual art through the tapping of the collective unconscious...
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