An Exquisite Corpse

:: guardians of/blissful curtsies/Insectivitis/in verdant array ::

::| an.exquisite.corpse : discussion : 11 |::

Wow. American McGee's Alice. Nice one, guys!

Zabet at September 12, 2005 8:10 AM

Very coherent. Very nice.

Jim at September 12, 2005 9:27 AM

Oh MY GOODNESS!

Look how 3-dimensional it is!

Awesome work, guys!

Shae at September 12, 2005 10:00 AM

Yes, a nice feeling of depth throughout. Great extension by katyism of the stone pedestals holding the gargoyles, also.

FogBaron at September 12, 2005 11:52 AM

Ooh, I really like how this one turned out. My grass in the foreground seems to carry through from the hill in the background. The funny thing is I thought the anotomical drawings in r2blue's piece were plants, and so continued with a garden theme. Strange that it should work out.

Fiddler at September 12, 2005 12:28 PM

Kewl. Happy to be a part of this even if I am mad at my top seam. Sure seemed (seamed?) to flow better from what I remember. Love the overall though. Nice job everybody.

r2blue at September 12, 2005 1:04 PM

r2blue... your teensy bit of NPL (noticable panty line) is barely there. If only the women in overly tight pants at the mall could be somewhat as subtle! ;-) hahaha

The moth wing transforming into a finger, grasping the flower pot is great.

This corpse is magical. Good job everyone!

hasfurrychildren at September 12, 2005 1:17 PM

Those are the three evil women who come out of my hamper everytime it's Jaeger nite at the Manhole. I thought they were only visible to me, but now I have the proof I need to show the authorities. Thanks corpsers, half the battle may already be won.

out.

gdc at September 12, 2005 5:54 PM

Gorgeous!!

Miss Daze at September 12, 2005 9:33 PM

Pretty! And fantastic (as it were) title.

Jessica at September 13, 2005 12:03 AM

This is still one of my favorites.

Fiddler at August 20, 2007 10:57 PM

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An Exquisite Corpse is a collaborative experiment in the creation of visual art through the tapping of the collective unconscious...
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