Please enable CSS support or consider upgrading to a version 5.0+ browser

biff digs it/our forbidden love/not aware of/and rewind

corpse0080.jpg

Created by:Maggie, David, Tomi and Matt

::| an.exquisite.corpse : discussion : 9 |::

By: Sarah

I love the muted colors on this one. Makes me want to design a new color scheme for my website.

February 22, 2002 10:06 AM

By: tomi

wow! the color scale is very beautiful & consistant. I don't realy mind that there are visible seams in the bottom section - the corpse does not fall apart! good work, everyone!

February 22, 2002 10:10 AM

By: Andrew

Great use of text throughout. Very consistent imagery/tone.

I dig it, too.

February 22, 2002 10:12 AM

By: Lewis

I think this is a great example where a seam is not exactly a flaw. The way the sections work together, the seam works beautifully. Great job guys.

February 22, 2002 10:43 AM

By: Elizabeth

This corpse is great. I love the color, I love the silken feel to it. The only thing I think perhaps I would have done differently (assuming I was making this as a single piece of art, not just working on a section of it) would be to make the third piece less... diaphanous. Perhaps make the face a little stronger, a little more in the foreground. And I only say this because then it would give the more corpse as a whole a smidge better flow - the third piece as a stand-alone is wonderful as it is.

February 22, 2002 12:14 PM

By: matt

Matt looks at the piece he was given, then at the piece that is there .... hmm big tonal difference, how strange. But in the end, yeah, I kind of like the seam. I think the words work really well through the whole piece.

February 22, 2002 02:37 PM

By: Sixtieslibber

Actually the "seam" is essential. It kind of makes a comment that things were getting blurry, like a reverse reflection, and also echos the hard transitions of the first piece. I like the transition from "Biff" to "buff" also.
This is a lovely example of how conceptual art and visual art can merge.

February 24, 2002 05:26 PM

By: tre

ya'll some bass asses

February 25, 2002 02:34 PM

By: mirla

I really love the transition on the right side of the first into the second panel. And I keep staring at the face continuing into neck into cleavage/tower (?) in the landscape of the final panel. Lovely.

February 28, 2002 01:23 AM

Name:


Email Address:


URL:


Comments:




Remember Posting Info?