Created by: Stephen, Moaiz, Matthew and Deborah
By: hilary
Wow. I love the flow of this one. While there is a distinct difference between the hot top and the cool bottom, the blend is there and I think it works quite nicely. I'm especially impressed with Deborah's working such stark figures into a more complicated and fluid design.
November 14, 2001 09:53 AM
By: Bill
Fantastic merges between panels. I especially like the Matthew used the color bleed to link his panel to the previous one while introducing new elements at the merge line - I think it works really well.
November 14, 2001 09:53 AM
By: Jorun
This is the first corpse that has made me push my chair back from the screen instead of moving forward to catch all the details.
I could imagine this one enlarged on my living room wall.
November 14, 2001 10:02 AM
By: PhotoDude
This one is an amazing collective/subconcious design piece. We start with sharp swirls of saturated dark colors, almost like barbed wire and blood. Through each panel, there is a transition, from swirls and barbs to forms and shapes, from dark saturated colors to more muted lighter tones. The transitions of color, shape, even emotional tone, are very impressive.
Inspired work, people.
November 14, 2001 10:03 AM
By: Andrew
While it all flows nicely, I like the top two separately from the bottom two. It's as if there were two corpses grafted together in the middle.
November 14, 2001 04:23 PM
By: Tim
Oooh! Two corpses grafted in the middle? Ladies and Gentlemen, we have a Frankenstein on our hands!
I've gotta say, though, this is one of the least definable corpses we've had so far. There's no definite imagery in it, it's just a mass of colour. What's surprising is that although nobody could see all of the corpse piece before theirs, everybody refrained from cutting and pasting other images, which I admit is about the limits of my artistic ability. That makes for a corpse that is very intriguing and somewhat difficult to grasp any meaning in it. As Jorun said, its a corpse that is best viewed as a whole, rather than searching for detail. Is this a step forward in corpsemanship?
November 14, 2001 07:23 PM
By: moaiz
I do see a sepertation of sorts between the top half and the bottom but the flow of the whole thing is very nice.
Tim...I didnt refrain from cutting and pasting, everything in my segment is stock photos with blurs and blend modes.
November 15, 2001 02:10 AM
By: michael
I like the fact that this one is completely abstract. Feels like I'm watching 'Altered States' followed by 'Logan's Run'...on acid of course. ;)
November 15, 2001 09:16 PM
By: Zach
I agree with Jorun. This one could be a wall mural. Excellent blending work. Whether pulling away from the screen or nosing the glass for details it's almost impossible to see the breakline between parts one and two. The bleeding from dark red to light yellow in "think in aurabesh" seems almost like a cheat to me, but the stark contrast works to widen the eyelids. Then the fractal-like breakdown of repeating images in "it's underneath" is a great approach to not knowing what came before. It helps to blend from what came before while giving the artist a chance to finish the piece with their own individual flourish. Overall it's one of the most abstract and expressive pieces I've so far seen at this website. Incredibly impressive work.
November 18, 2001 09:28 PM
By: AnotherJessie
Wow...I mean...wow! What can I really say that won't cheapen this? Nothing really, I'll just say that this is by far the best corpse I've looked at so far.
October 16, 2002 05:52 PM
By: ultrix
"[f]uture is out hands". cool.
(I can read aurabesh :))
April 30, 2003 07:34 AM
By: ultrix
"[f]uture is out hands". cool.
(I can read aurabesh :))
April 30, 2003 07:40 AM
By: ultrix
"[f]uture is out hands". cool. the top of it looks like it is filled with angst and cold war.
(I can read aurabesh :))
April 30, 2003 07:44 AM
